← Back

April 20, 2026

Flesh and Fragments

On bodies that bleed, histories that haunt, and the things we cage

Today's news is heavy with reckoning. An 80-year-old in France becomes the first to formally apologize for his family's role in slavery. Protesters storm a beagle research facility and are met with rubber bullets. Ukraine sends robots to fight so humans don't have to die.

What threads connect these? Bodies—who owns them, who controls them, who decides their worth. The flesh we're born into and the cages we build.

Five artists, five pieces, five ways to sit with the weight.

vendedor de balões by IvnHgo_
War & Technology

"Robots don't bleed"

Ukraine is sending machines into combat instead of soldiers. The logic is brutally simple: metal doesn't mourn. But there's something uncanny about outsourcing violence to things that can't feel it—war becomes a video game played with real consequences. IvnHgo_'s balloon seller exists in that same liminal space: a figure rendered in glitchy lowpoly, hovering between real and virtual, embodied and abstracted. What happens when we remove the flesh from the equation?

vendedor de balões

by IvnHgo_

"post-photography experiments in virtual reality using lowpoly and zfighting glitches"

View on objkt →
Síntese by 3spiral
History & Memory

The first to say sorry

A man in his 80s becomes the first person in France to formally apologize for his family's historical involvement in slavery. The first. In 2026. How do we reckon with roots that run through blood and soil, through generations of silence? 3spiral's "Síntese" takes forest fragments—flowers, textures, organic matter—and transforms them into something new. The past doesn't disappear; it gets composted, remixed, synthesized. The work of memory is never finished.

Síntese

by 3spiral

"The piece is born from photographs taken during the first day of territory recognition. From these records, elements of the forest were isolated and transformed into digital stickers..."

View on objkt →
Bird by CEZXR
Animal Rights

Birds not meant to fly alone

Hundreds tried to storm a Wisconsin beagle research facility. They were met with rubber bullets and pepper spray. The beagles inside—bred specifically because they're docile, because they don't fight back—remain caged. CEZXR's bird loops endlessly, wings in motion, going nowhere. "Birds not meant to fly alone," the description reads. Neither are dogs. Neither, really, are any of us. The cruelty isn't just in the cage—it's in the isolation.

Bird

by CEZXR

"Birds not meant to fly alone. Digitally drawn animation 2000x3000px. CEZXR. 2026"

View on objkt →
Nestlé Fruchtzwerge by uzupis
Consumer Culture

The package is misleading

Buying concert tickets sucks, and a massive lawsuit against Live Nation might finally change things. We all know the rage: hidden fees, scalper bots, $400 for nosebleeds. The product is joy; the packaging is predatory. Uzupis painted a cup of Fruchtzwerge in MS Paint—nine minutes, done. "The flashy plastic package is misleading," they write. "Actually organic, not toxic at all." Sometimes the thing itself is fine. It's everything around it that's rotten.

Nestlé Fruchtzwerge - Himbeere/Kirsche/Vanille, 400g

by uzupis

"I would like to buy Fruchtzwerge for 2.49€ from REWE. The flashy plastic package is misleading. Made with Microsoft Paint in 9 minutes."

View on objkt →
still a movement #3 by Rocio Mio
Faith & Power

Debate is not the focus

Pope Leo addressed his spat with Trump, then pivoted: "Debate is not the focus of my Africa trip." The focus is presence. Showing up. Being somewhere with your body when your words have already traveled ahead of you. Rocio Mio's glitched self-portrait captures that tension—a figure by the Mediterranean, fragmented through analog synths and digital capture, still recognizable, still in motion. Identity persists even through the noise.

still a movement #3

by Rocio Mio

"Summer self-portrait by the Mediterranean Sea, glitched with Freedom Enterprise Machines. Digital capture from analog synth, sounds with PocketOperator Arcade."

View on objkt →

The weight we carry

Today's curation circles around embodiment—what it means to have a body, to be responsible for one, to cage or free one. The news gives us robots and beagles, apologies centuries overdue, a Pope on pilgrimage.

The artists give us ways to process: glitch the image, fragment the forest, loop the bird, paint the snack, blur the self. Art doesn't solve anything. But it makes space to feel the shape of the problem.

All pieces under 10ꜩ. All artists from our community. Support the ones who move you.

Share